En poursuivant votre navigation sur ce site, vous acceptez l'utilisation de cookies. Ces derniers assurent le bon fonctionnement de nos services. En savoir plus.

4.g- Joaillerie / Horlogerie - Page 3

  • Imprimer

    In 2017’s, #luxury brands will have to work a lot harder to sell their pricey goods | @adetem @


    Last year was a bad one for many companies selling expensive fashion, handbags, and jewelry. For the first time since the financial crisis of 2008, the global market for personal luxury goods failed to grow, stalling at €249 billion (about $258 billion).

    luxury, china, fashion, growth, bnp, exanebnp

    The good news is that 2017 should see a return to growth, according to a Dec. 28 report on the global luxury market by management consulting firm Bain & Company, only it won’t look anything like the boom years from 2010 to 2015, when global sales of such goods jumped 45%, fueled by Chinese consumers with high-end appetites. The slowing of China’s economy and its government’s ongoing crackdown on corruption, paired with turmoil in the US and Europe from Brexit, terrorism, and the US presidential election, have created a “new normal” of low single-digit growth and intense competition. The years ahead will produce “clear winners and losers,” Bain says, determined by which brands can read the field and respond best.

    China is at the center of this shift. Today Chinese shoppers account for 30% of all sales of personal luxury goods. While Bain foresees the Chinese market improving again after contracting slightly in 2016, it isn’t likely to return to its former rate of expansion, which insulated brands’ bottom lines from other problems. “We expect around 30 million new customers in the next five years coming from the Chinese middle class,” Claudia D’Arpizio, a Bain partner and lead luxury analyst, told Quartz in an interview last year. “But this is nothing comparable to the past big waves of demographics entering [the market]. This new normality will mean mainly trying to grow organically in the same consumer base, being more innovative with product, more innovative with communication.”

    Exane BNP Paribas echoed the thought in a December research note to clients. “The peak of the largest nationality wave ever to benefit luxury goods is behind us,” the authors wrote. “Brands need a new paradigm, other than opening more stores in China and bumping up prices.”

    The period luxury is entering could see some of its slowest growth since it started opening up to a mass audience around 1994. That was the year, D’Arpizio noted, that “the jeweler of kings and queens,” Cartier, launched its first lower-priced line for mainstream consumers. Other brands followed in search of greater sales, and names “like Gucci, Prada, also Bulgari were really growing, doubling size every year, sometimes triple-digit growth rates, opening up to 60 stores every year and covering all the capitals across the globe,” she said.

    Around 2001 came another period of expansion when brands became global retailers, not just selling wholesale, amid a spate of acquisitions that would eventually create today’s giant luxury conglomerates, including LVMH and Kering (previously Gucci Group). By the time of the financial crisis, luxury had conquered much of the US, Europe, and Japan, and then China came along to offer more unfettered growth.

    There’s no new China, however, at least not now. The next big luxury market is likely Africa, particularly countries such as Congo, Angola, and South Africa. But D’Arpizio estimated this scenario won’t come about for seven to 10 years, meaning only moderate expansion for some time.

    “In the new normal, we expect a compound annual growth rate (CAGR) of 3% to 4% for the luxury goods market through 2020, to approximately €280 billion,” Bain’s report says. “That is significantly slower than the rapid expansion from the mid-1990s to the late 2000s.”

    Other characteristics of this new period include more shoppers making purchases at home. Last year, local purchases exceeded tourist purchases by five percentage points, the first time since 2001 that has happened.

    And digital sales will keep growing. Last year they accounted for 8% of the industry.


  • Imprimer

    Tiffany procures retail solutions for Trump Tower-related security measures | @tiffanyandco @cotyincpr



    Tiffany & Co.’s Fifth Avenue flagship’s proximity to Trump Towers has resulted in an unlikely branding effort for the U.S. jeweler.

    The jeweler’s iconic flagship, known for its cameos in Hollywood films and its annual holiday windows, finds itself on the same block as Trump Towers, the Midtown Manhattan home of U.S. President-elect Donald Trump. Since the election results were announced Nov. 8, protesters have been picketing outside the building, causing the Secret Service and New York Police Department to heighten security along Fifth Avenue, just in time for the holiday season.

    "The truth is that politics and business do not mix, and when those worlds collide, good things rarely happen," said Rob Frankel, branding strategist & expert at Frankel & Anderson, Los Angeles. "'Cause marketing' is a huge myth, often alienating as many (or more) prospects than it might attract. "Overall, I see this less as a political statement and more along the lines of the signs you see posted when a store is remodeling, which proclaim 'Pardon our dust! We're open for business!'" he said. "Nobody really notices and business doesn't improve until the signs are removed and foot traffic returns to normal."

    Branded barricades
    As a result of the extra security measures, storefronts near Trump Tower’s, including Tiffany and Gucci, which has its New York flagship within the tower, have seen decreased foot traffic as barricades deter shoppers and worsen congestion on the already busy thoroughfare in Midtown Manhattan.

    Barricades along the street caused Tiffany to cancel its holiday window reveal. While the store remains in business with normal hours, its sales are expected to take a hit this year, according to CNBC.

    In addition to the imposing presence of the metal blockades, security personnel have also been on heightened alert. Individuals headed to the luxury stores around the tower are the only ones getting through to the sidewalk, but this means potential shoppers enduring questioning by police before they are allowed to pass (Trump’s midtown Manhattan base causes problems for luxury retail).

    Tiffany, for one, has partnered with the New York City Police Department to make the most of the security presence by designing branded covers for the police barricades.

    The barricades, dressed in Tiffany blue slipcovers, have been positioned from 57th Street around to the jeweler’s entrance on Fifth Avenue, thus creating a Tiffany “safe zone.”

    Doing so provides a pathway for passersby to view Tiffany’s annual holiday windows. While this solution ensures some consumers get to experience its windows, Tiffany likely missed out on the attention and crowds that make it a point to see its display this year.

    The placement of the branded barricades also allows consumers to enter the flagship through its main entrance. Prior to the barricades being set up, consumers were encouraged to use the jeweler’s side entrance facing 57th Street.

    In a statement the jeweler said: “Tiffany is in frequent communication with the New York Police Department and U.S. Secret Service regarding safety and security along the perimeter of our Fifth Avenue flagship. We remain open for business with regular hours and welcome customers to enter the store via our 57th Street entrance while any barricades along Fifth Avenue are in place.

     “Our iconic flagship store windows, which feature sparkling scenes of New York City at the holidays, are now on display for all to see. Our façade has also been illuminated as planned.”

    Alternate viewings
    A digital solution has also been implemented to ensure that consumers who would rather not visit in person due to the barricades and upped police presence can still experience the windows

    Tiffany, Louis Vuitton and Cartier are among the 18 New York storefronts getting a digital audience this holiday season with help from Google. Google’s “Window Wonderland” recreates the feeling of strolling outside iconic retailers on a consumers’ desktop computer, mobile phone or tablet.

    While about 5 million tourists descend on New York this time of year, many located in other cities, states or countries will not be able to get to see these in person, making this Google experience the next best thing.


  • Imprimer

    #Chanel has made itself more relatable to consumers without sacrificing its prestige | @Chanel @adetem



    First runner’s-up Chanel has made itself more relatable to consumers without sacrificing its prestige.

    The brand made moves to appeal to a younger audience, casting teens Lily-Rose Depp and Willow Smith in separate ad campaigns.

    With a continued focus on video content, Chanel introduced five new films in its “Inside Chanel” series. The brand also launched a new series of unscripted Beauty Talks, inviting personalities such as Gisele Bündchen and Keira Knightley to talk makeup and skincare with its global creative makeup and color designer Lucia Pica.

    Chanel, luxury, fashion, luxury daily

    Chanel’s social media efforts helped the brand top Brandwatch’s rankings of fashion companies, thanks to visibility and increased reach (Chanel, Lexus top social media performers in fashion, automotive fields). The same researcher also found it to be the most reputable brand on social media (Chanel most reputable brand despite low sentiment: report).

    The brand also got a nod in the beauty space, with an MBLM report finding it to be the most successful at creating intimacy and an emotional connection with followers (Chanel ranks at top of beauty industry’s brand intimacy chart: report).

    A key indicator of brand positioning and desirability, Chanel is one of the highest sellers on the secondhand luxury site The RealReal (Chanel, mega-brands dominate resale market as new sectors surge: report). Chanel was also one of the only brands to record growth in value in Millward Brown’s BrandZ report (Louis Vuitton, Hermès and Chanel only houses to record growth: report).

    Chanel, luxury, fashion, luxury daily

    Aside from its desirability as a brand to own, Chanel was named the most coveted place to work in a survey of millennials conducted by Women’s Wear Daily (www.luxurydaily.com/louis-vuitton-hermes-and-chanel-only-houses-to-record-growth-report/.

    Alongside digital efforts, Chanel courted younger clients with a backstage-themed pop-up. The brand also branched out into the conceptual, curating a daily content hub with i-D magazine (Chanel, i-D magazine advocate for female artistic talent on daily content hub).

  • Imprimer

    Luxury Brands Seek a Way Into Generation | #generationZ #luxury @adetem



    Millennials, the much-studied generation whose behavior has seduced and puzzled luxury brands in equal measure, are no longer the sole focus for companies hoping to attract new customers: Generation Z, the label given to those born since 1995, is the latest target audience, thanks to their future purchasing power and the influence they hold over the spending of their parents and grandparents.

    Unlike their older peers, who have watched technology gradually embed itself in their daily lives, members of Generation Z are known as “digital natives”: those who cannot remember what it is like to not have a cellphone permanently attached to their hand.

    “This is an impulsive group who will turn adverts off, call BS really easily and hate being talked down to,” said Meridith Valiando Rojas, co-founder and chief executive of DigiTour Media, a Los Angeles-based group that has led the way in a booming events trend in live entertainment. “They know there is always something else out there as they have always had that information at their fingertips. That is hard for many brands to contend with.”

    DigiTour Media hosts festivals where social media stars step out from behind their bedroom webcams and meet their teenage fan base. The festivals showcase people who have created mass followings on YouTube, Instagram and Music.ly, the lip-syncing app with over 100 million monthly users and that anyone over 21 is unlikely to have heard of. DigiTour Media group now puts on approximately 200 events a year, comprising both DigiFests (one- or two-day showcases) or DigiTours (groups of performers who rove the United States). The combined reach of the acts is 350 million people.

    “It is all about bringing the internet to life — their internet to life,” said Ms. Valiando Rojas at The New York Times’s Global Leaders’ Collective conference, held in Washington this past week. A former music executive, she recognized in 2010 that there was no equivalent of a music festival on the market for younger teenagers. She also saw that when it came to hormone-fueled popularity, 21st-century social media stars had as much clout as the biggest boy bands.

    “Generation Z are the most influential group of consumers right now. Whether or not they are buying luxury today, they will be tomorrow,” Ms. Valiando Rojas said. “So understanding where they think, where they go and how to advertise to them without rubbing them up the wrong way is crucial.”

    That more and more people are looking for experience-led luxury purchases over products is another factor in why brands should be looking to build relationships with this demographic, both on and off their phones.

    There is a distinction between Generation Z and millennials in how they behave within their social media communities. Millennials are keen to be unique, but members of Generation Z want to be popular and part of a group. Having grown up immersed in social media, members of Generation Z define their identity by how many “Likes’’ they get on Facebook or how many followers they have. They see their online personalities as extensions of themselves

    “That is why these influencers are so important: Teenagers today trust these voices,” Ms. Valiando Rojas said, adding that she booked acts based on their popularity and what the followers of her company’s social media accounts suggested. She pointed to Baby Ariel (age 16), Jacob Sartorius (age 14) and the Dolan Twins (age 16) as some of the biggest names to watch.

  • Imprimer

    #Luxury #Shoppers Crowd #London for #Brexit bargains [@adetem @LuxuryDaily]

    NOVEMBER, 30, 2016.

    London: While the prospect of Brexit is weighing on much of the British economy, tourism and luxury goods businesses are cashing in on bargain-hungry visitors lured by the slide in the pound.


    London’s tourism agency says sales of goods eligible for sales-tax exemption have gone up by a third since the Brexit vote in June, which sent the pound sterling plunging against the euro and dollar. ”We calculated that over the last four months it’s been about 12% cheaper for Europeans to come and shop here,” said Chris Gottlieb, head of leisure marketing at the agency London & Partners. The pound is now at 1.17 euros compared with 1.3 euros before the shock vote to leave the European Union, while it has also fallen to US$1.25 from US$1.49. The result is that London has become the cheapest city for luxury goods shopping in the world in dollar terms, according to a study by Deloitte.


    In tourist areas, the effects are evident. ”We’re going to spend much more money than we planned to,” said Radostina Nonova, a Bulgarian tourist, laughing as she lugged her bags on Carnaby Street - in the heart of London’s shopping district. ”We didn’t plan to shop too much but it’s obvious that the prices are very good for us. ”So we shop and we can afford to eat and drink outside. That was not possible years ago,” she said.

    French tourist Christophe Disic said he did not come just because the pound was low but “when we changed our money we realised we had a few more pounds for fewer euros”. When speaking to US tourists, shopkeepers are quick to take out their calculators. ”We’re an American brand. Our products are designed and assembled in the States. But with the weakening of the pound it actually happens to be cheaper for the American tourists to buy an American product in London,” said Denis Sagajevs, who works in Shinola, a shop selling watches and leather accessories. ”It’s affected by the fact that they can claim VAT on their way back. We pretty much on a day-to-day basis explain that to customers from the States. It happens to be quite a strong sales driver,” he said.


    Some shops are adapting their advertising and sales tactics to the new consumer behaviour. ”Before the vote, European tourists were couples who came to be together and maybe bought a couple of things,” said James, the manager of a luxury men’s clothes shop on Carnaby Street. ”Now, there are groups of friends who rush in. They grab everything they can carry.” James estimated that European and US shoppers coming to his store have increased by around 50%. Instead of spending on costly advertising in British newspapers as it did before, his firm is changing tactic to appeal more to overseas visitors. They have put up signs outside Underground train stations near the shop.

    But there are doubts about how long the boom can last. While the good health of the British economy was confirmed by solid growth of 0.5% in the third quarter, the official forecasts for 2017 have been lowered to 1.4% from 2.2%. ”Our British customer sales are not as strong as before the vote and we don’t even know if this tourism boom is going to last,” James said. - AFP

  • Imprimer

    [@pointsdevente]- Face à la crise, quelle posture pour les marques de luxe françaises ? [@adetem @luxurysociety]

    Quelle est la meilleure attitude à adopter pour les marques luxe françaises ?

    Propos recueillis par Cécile Buffard

    [Philippe Jourdan]. Elles possèdent de solides atouts. On ne construit pas une marque de luxe en quelques années. Les acteurs mythiques ont construit leur image, leur activité, leur savoir-faire et leur position sur un temps long. Après, ce n'est pas parce qu'on dispose d'un temps long qu'on ne peut pas le bousculer.

    Oui, il y a une élégance à la française, une vision de la femme française qui plaît avec une vraie tradition de savoir-faire. Ce qui est compliqué, c'est que nous ne sommes pas les seuls acteurs. Je crois beaucoup aux marques italiennes même si on a longtemps cru que l'Italie resterait l'atelier de nos marques de mode.

    De la même façon, il existe aux États-Unis de très nombreuses marques de luxe dont certaines ne servent que les clientèles américaine et anglosaxonne et qui sont de vraies concurrentes aux marques françaises. D'une façon générale, on ne développe pas de la même façon un secteur qui affiche 1 % de croissance au lieu de 5 %. Mais si le marché est compliqué, je ne crois pas à la mort du luxe. Ce n'est pas pour rien que dans toutes les civilisations, on a consacré autant de dépenses, d'énergie, et de ressources dans l'économie du luxe. Quel que soit le contexte, le luxe est intemporel. 



  • Imprimer

    [@pointsdevente]- Faut-il céder à la tentation du #masstige ? [@adetem @luxurysociety][Philippe Jourdan]. Si l'idée est de substituer au prestige le masstige parce que le ralentissement de l'économie oblige les actionnaires à maintenir ou à aller chercher

    Faut-il céder à la tentation du masstige, à mi-chemin entre mass market et prestige?

    Propos recueillis par Cécile Buffard pour Points de Vente

    [Philippe Jourdan]. Si l'idée est de substituer au prestige le masstige parce que le ralentissement de l'économie oblige les actionnaires à maintenir ou à aller chercher des volumes dans une confusion des genres, je réponds non. En revanche, certaines marques du mass peuvent adopter temporairement les codes du luxe. C'est une stratégie qui plaît beaucoup aux jeunes clientes, adeptes du mix and match. Reste, toutefois, la question du futur. Quand, dans vingt ans, les Millennials auront grandi, préféreront-ils toujours le masstige au prestige? Il faut, également, démystifier la recette du masstige qui consiste à fabriquer des copies des modèles de la haute couture avec des matières premières et un savoir-faire de moindre qualité. Sur ce sujet, je serai plus sévère que Coco Chanel qui disait se moquer de la copie. Quand on s'approprie les codes d'une marque, dans le secteur de la santé on appelle ça un générique, dans la mode c'est une contrefaçon.



  • Imprimer

    [@pointsdevente] - Le premium est-il un concurrent du #luxe ? [@adetem @luxurysociety]

    Le premium est-il un concurrent du luxe?

    Propos recueillis par Cécile Buffard

    [Philippe Jourdan]. Cela peut être un mot fourre-tout pour cacher la volonté des acteurs du mass market de vouloir s'élever - en vain - vers le luxe. Cela dit, certaines marques ont su créer des phénomènes de collections, collaborer avec des personnalités et, au final, produire de la rareté, de l'exclusivité et une créativité forte sur quelques pièces. Elles se sont revendiquées premium car elles ont mis les pieds dans le luxe, soit par la qualité des matières, soit par le choix d'un créateur artistique, une communication bien faite et une commercialisation de niche ou limitée dans le temps. Les retombées en termes d'image sinon économiques de ces opérations sont toujours alléchantes. Ce qui explique le nombre de collections capsules qui émergent sur le marché.



  • Imprimer

    [@pointsdevente]- Le #multicanal, une bonne stratégie pour les marques de luxe ? [@adetem @luxurysociety][Philippe Jourdan]. Oui, les frontières sont plus perméables. Nous avons eu deux grands modèles de développement des marques de luxe et c'est probable

    La diversité des canaux participe-t-elle de la démocratisation du luxe ?

    [Philippe Jourdan]. Oui, les frontières sont plus perméables. Nous avons eu deux grands modèles de développement des marques de luxe et c'est probablement un troisième qui est en train de révolutionner le marché. Après l'explosion des franchises et licences, en particulier aux États-Unis, les marques ont voulu retrouver la maîtrise de leur distribution et de leur image en ouvrant des flagships.

    Aujourd'hui, l'arrivée du digital rebat les cartes du marché. Les consommateurs ont accès immédiatement aux informations, photos, vidéos et surtout au prix des articles de luxe. Ce n'est plus tabou. Résultat, on observe dans les magasins des comportements très différents de ceux de la clientèle de luxe habituelle qui ne s'intéressait au prix qu'au moment de payer. Le consommateur 3.0 n'hésite pas à comparer les prix en magasin cassant, au passage les codes du luxe et ses usages. La fin de non-recevoir de LVMH à Amazon pose la question de la place des parts de marché dans l'écosystème du luxe...

    Devenir un acteur du luxe est compliqué pour Amazon. C'est un environnement qui a ses propres règles, une approche particulière et une théâtralisation de l'offre peu compatible avec le site américain. Cependant, ce qu'il risque d'arriver, c'est que les produits d'une marque soient vendus par les consommateurs eux-mêmes. Sur certaines collections, la rareté des pièces est telle que cela encourage la revente et aux États-Unis, des particuliers fortunés ont quasiment créé des boutiques sur Internet où ils revendent en permanence les anciennes collections. C'est toujours difficile pour l'image d'une marque lorsque l'amont lui échappe. Quand le luxe sort de ses boutiques écrins, le service qui accompagne la vente et l'usage, après l'achat, ne sont plus maîtrisés par la marque. Pour rester une marque de luxe, on doit maîtriser tous les éléments, à chaque étape de la vente. Les places de marché sont un vrai défi pour les marques, auquel elles n'ont pas encore de solution.

    Propos recueillis par Cécile Buffard




  • Imprimer

    [@pointsdevente] Se rendre plus accessibles, une bonne stratégie pour les #marques de #luxe ? [@adetem @luxurysociety]

    On voit, depuis quelques années, qu'un nombre croissant de marques de luxe déclinent des versions plus accessibles. Le shopping des hyper riches ne suffit-il plus ?

    [Philippe Jourdan]. Dès que la croissance ralentit, tout le monde cherche à se partager le même gâteau donc la meilleure façon de conserver cette même part, c'est de donner du gâteau à tout le monde ! Il y a des mouvements que l'on observe pour l'instant avec un manque de recul mais qui vont dans ce sens. Que ce soit à l'échelle de toute une collection, ou seulement pour quelques pièces, les marques de luxe s'ouvrent au grand public.

    Le phénomène des égéries est particulièrement parlant. En choisissant des ambassadrices qui ne sont plus dans l'environnement du luxe mais qui vont être des stars plus populaires et aussi plus éphémères, de plus en plus de marques prennent le risque de descendre de leur piédestal. À mon sens, elles n'y ont pas intérêt car elles doivent rester suffisamment intimidantes pour conserver leur aura de marque de luxe. C'est un secteur où le prix perçu doit toujours être plus élevé que le prix réel car l'exclusivité va créer le désir. La vraie marque de luxe est une marque qui impose son style. En baissant d'un ou plusieurs échelons sur l'échelle de la mode, on devient une marque tendance, plus une marque luxueuse.