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digital - Page 2

  • In 2017’s, #luxury brands will have to work a lot harder to sell their pricey goods | @adetem @

    FROM QUARTZ MEDIA LLC | WRITTEN BY MARC BAIN | 24 JANUARY, 04 2017

    Last year was a bad one for many companies selling expensive fashion, handbags, and jewelry. For the first time since the financial crisis of 2008, the global market for personal luxury goods failed to grow, stalling at €249 billion (about $258 billion).

    luxury, china, fashion, growth, bnp, exanebnp

    The good news is that 2017 should see a return to growth, according to a Dec. 28 report on the global luxury market by management consulting firm Bain & Company, only it won’t look anything like the boom years from 2010 to 2015, when global sales of such goods jumped 45%, fueled by Chinese consumers with high-end appetites. The slowing of China’s economy and its government’s ongoing crackdown on corruption, paired with turmoil in the US and Europe from Brexit, terrorism, and the US presidential election, have created a “new normal” of low single-digit growth and intense competition. The years ahead will produce “clear winners and losers,” Bain says, determined by which brands can read the field and respond best.

    China is at the center of this shift. Today Chinese shoppers account for 30% of all sales of personal luxury goods. While Bain foresees the Chinese market improving again after contracting slightly in 2016, it isn’t likely to return to its former rate of expansion, which insulated brands’ bottom lines from other problems. “We expect around 30 million new customers in the next five years coming from the Chinese middle class,” Claudia D’Arpizio, a Bain partner and lead luxury analyst, told Quartz in an interview last year. “But this is nothing comparable to the past big waves of demographics entering [the market]. This new normality will mean mainly trying to grow organically in the same consumer base, being more innovative with product, more innovative with communication.”

    Exane BNP Paribas echoed the thought in a December research note to clients. “The peak of the largest nationality wave ever to benefit luxury goods is behind us,” the authors wrote. “Brands need a new paradigm, other than opening more stores in China and bumping up prices.”

    The period luxury is entering could see some of its slowest growth since it started opening up to a mass audience around 1994. That was the year, D’Arpizio noted, that “the jeweler of kings and queens,” Cartier, launched its first lower-priced line for mainstream consumers. Other brands followed in search of greater sales, and names “like Gucci, Prada, also Bulgari were really growing, doubling size every year, sometimes triple-digit growth rates, opening up to 60 stores every year and covering all the capitals across the globe,” she said.

    Around 2001 came another period of expansion when brands became global retailers, not just selling wholesale, amid a spate of acquisitions that would eventually create today’s giant luxury conglomerates, including LVMH and Kering (previously Gucci Group). By the time of the financial crisis, luxury had conquered much of the US, Europe, and Japan, and then China came along to offer more unfettered growth.

    There’s no new China, however, at least not now. The next big luxury market is likely Africa, particularly countries such as Congo, Angola, and South Africa. But D’Arpizio estimated this scenario won’t come about for seven to 10 years, meaning only moderate expansion for some time.

    “In the new normal, we expect a compound annual growth rate (CAGR) of 3% to 4% for the luxury goods market through 2020, to approximately €280 billion,” Bain’s report says. “That is significantly slower than the rapid expansion from the mid-1990s to the late 2000s.”

    Other characteristics of this new period include more shoppers making purchases at home. Last year, local purchases exceeded tourist purchases by five percentage points, the first time since 2001 that has happened.

    And digital sales will keep growing. Last year they accounted for 8% of the industry.

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  • Luxury Brands Seek a Way Into Generation | #generationZ #luxury @adetem

    ARTICLE PARU DANS LE NYT, ELIZABETH PATON, LE 05-12-2016

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    Millennials, the much-studied generation whose behavior has seduced and puzzled luxury brands in equal measure, are no longer the sole focus for companies hoping to attract new customers: Generation Z, the label given to those born since 1995, is the latest target audience, thanks to their future purchasing power and the influence they hold over the spending of their parents and grandparents.

    Unlike their older peers, who have watched technology gradually embed itself in their daily lives, members of Generation Z are known as “digital natives”: those who cannot remember what it is like to not have a cellphone permanently attached to their hand.

    “This is an impulsive group who will turn adverts off, call BS really easily and hate being talked down to,” said Meridith Valiando Rojas, co-founder and chief executive of DigiTour Media, a Los Angeles-based group that has led the way in a booming events trend in live entertainment. “They know there is always something else out there as they have always had that information at their fingertips. That is hard for many brands to contend with.”

    DigiTour Media hosts festivals where social media stars step out from behind their bedroom webcams and meet their teenage fan base. The festivals showcase people who have created mass followings on YouTube, Instagram and Music.ly, the lip-syncing app with over 100 million monthly users and that anyone over 21 is unlikely to have heard of. DigiTour Media group now puts on approximately 200 events a year, comprising both DigiFests (one- or two-day showcases) or DigiTours (groups of performers who rove the United States). The combined reach of the acts is 350 million people.

    “It is all about bringing the internet to life — their internet to life,” said Ms. Valiando Rojas at The New York Times’s Global Leaders’ Collective conference, held in Washington this past week. A former music executive, she recognized in 2010 that there was no equivalent of a music festival on the market for younger teenagers. She also saw that when it came to hormone-fueled popularity, 21st-century social media stars had as much clout as the biggest boy bands.

    “Generation Z are the most influential group of consumers right now. Whether or not they are buying luxury today, they will be tomorrow,” Ms. Valiando Rojas said. “So understanding where they think, where they go and how to advertise to them without rubbing them up the wrong way is crucial.”

    That more and more people are looking for experience-led luxury purchases over products is another factor in why brands should be looking to build relationships with this demographic, both on and off their phones.

    There is a distinction between Generation Z and millennials in how they behave within their social media communities. Millennials are keen to be unique, but members of Generation Z want to be popular and part of a group. Having grown up immersed in social media, members of Generation Z define their identity by how many “Likes’’ they get on Facebook or how many followers they have. They see their online personalities as extensions of themselves

    “That is why these influencers are so important: Teenagers today trust these voices,” Ms. Valiando Rojas said, adding that she booked acts based on their popularity and what the followers of her company’s social media accounts suggested. She pointed to Baby Ariel (age 16), Jacob Sartorius (age 14) and the Dolan Twins (age 16) as some of the biggest names to watch.

  • [@pointsdevente]- Le #multicanal, une bonne stratégie pour les marques de luxe ? [@adetem @luxurysociety][Philippe Jourdan]. Oui, les frontières sont plus perméables. Nous avons eu deux grands modèles de développement des marques de luxe et c'est probable

    La diversité des canaux participe-t-elle de la démocratisation du luxe ?

    [Philippe Jourdan]. Oui, les frontières sont plus perméables. Nous avons eu deux grands modèles de développement des marques de luxe et c'est probablement un troisième qui est en train de révolutionner le marché. Après l'explosion des franchises et licences, en particulier aux États-Unis, les marques ont voulu retrouver la maîtrise de leur distribution et de leur image en ouvrant des flagships.

    Aujourd'hui, l'arrivée du digital rebat les cartes du marché. Les consommateurs ont accès immédiatement aux informations, photos, vidéos et surtout au prix des articles de luxe. Ce n'est plus tabou. Résultat, on observe dans les magasins des comportements très différents de ceux de la clientèle de luxe habituelle qui ne s'intéressait au prix qu'au moment de payer. Le consommateur 3.0 n'hésite pas à comparer les prix en magasin cassant, au passage les codes du luxe et ses usages. La fin de non-recevoir de LVMH à Amazon pose la question de la place des parts de marché dans l'écosystème du luxe...

    Devenir un acteur du luxe est compliqué pour Amazon. C'est un environnement qui a ses propres règles, une approche particulière et une théâtralisation de l'offre peu compatible avec le site américain. Cependant, ce qu'il risque d'arriver, c'est que les produits d'une marque soient vendus par les consommateurs eux-mêmes. Sur certaines collections, la rareté des pièces est telle que cela encourage la revente et aux États-Unis, des particuliers fortunés ont quasiment créé des boutiques sur Internet où ils revendent en permanence les anciennes collections. C'est toujours difficile pour l'image d'une marque lorsque l'amont lui échappe. Quand le luxe sort de ses boutiques écrins, le service qui accompagne la vente et l'usage, après l'achat, ne sont plus maîtrisés par la marque. Pour rester une marque de luxe, on doit maîtriser tous les éléments, à chaque étape de la vente. Les places de marché sont un vrai défi pour les marques, auquel elles n'ont pas encore de solution.

    Propos recueillis par Cécile Buffard

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  • Le travel retail veut embarquer les #millennials [#TFWACannes #travelretail #Cannes #expérienceclient #séduction #digital #maquillage #L’Oréal]

    Le travel retail veut embarquer les millennials

     

    By Patricia Thounael, 2016-10-10+, Cosmétiquemag hebdo N°736, p.1, TFWA Cannes

    Le salon TFWA Cannes l’a ressenti pendant la première semaine d'Octobre: Le travel retail peut commencer sa préparation pour une nouvelle période.


    Après les attentats, la dépréciation du rouble et les lois d’anti-corruption en Chine, le travel retail gagne espoir avec les « millennials ».


    En effet, cette cible des 20 à 35 ans est sensée de voir leurs revenues doubler d’ici à 2020, ce qui représente de nouvelles opportunités : « Cela implique d’inscrire le travel retail dans une nouvelle dimension de l’expérience client pour séduire et d’accélérer sur le digital pour se connecter à elle » (Thouanel, 2016).

    C’est ici, que le travel retail peut se laisser inspirer par exemple par la marque de maquillage Nyx de L’Oréal, qui est née via les réseaux sociaux et qui a réussi à créer une expérience client séduisante.

    [LIRE L’ARTICLE SUR COSMETIQUEMAG HEBDO N°736/OCTOBRE 2016]

  • The future of luxury brands in an on-demand world [#digital #luxury #technology #socialmedia #exclusivity #challenges #culture #customization #click-to-buy]

    The future of luxury brands in an on-demand world

     By Tracey Follows, 2016-10-10+, Campaignlive.co.uk

    Can luxury brands both embrace the sharing economy and remain aspirational? It's an existential question they now need to answer.

    Luxury brands are prefaced on the idea of scarcity – what is scarce is of most value, and what is difficult to acquire or to access confers status. But in a world of abundance, in which nearly everything is accessible and nothing is scarce, what are the symbols and codes that communicate that something is a luxury?

    > Which role does digitalization, technology and social media play?
    > Which degree of exclusivity is right and how do the cultural differences create a need for customization?

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  • Quelles sont les #marques les plus mentionnées sur les réseaux sociaux ? [#réseauxsociaux #socialmedia #digital #études #Amazon #Louis Vuitton #Chanel #Tiffany&Co. #Burberry #Prada]

    Quelles sont les marques les plus mentionnées sur les réseaux sociaux ?

    By Abc-Luxe, 2016-09-19


    Si l’on sait que les réseaux sociaux sont devenus ces dernières années un moyen privilégié pour les marques de faire parler d’elles, de recruter de nouveaux clients et d’interagir avec leurs communautés, Netbase s’intéresse aux enseignes les plus appréciées et les plus mentionnées sur Twitter, Facebook, Instagram et autres consorts.
     
    Pour réaliser son rapport, Netbase a étudié le nombre d’occurrences de 60 marques réparties selon 11 catégories, sur quelque 430 millions de posts sur les réseaux sociaux. Il apparaît ainsi que si tous secteurs confondus c’est Amazon qui occupe la tête du classement des marques les plus mentionnées, c’est Tiffany & Co. (14e place du classement général) qui se distingue comme la griffe ayant engendré le plus d’échanges "positifs et passionnés".
     
    Louis Vuitton se classe 1er de la catégorie Luxe et 4e du classement général, talonné par Chanel et Burberry, qui a multiplié les initiatives et actions digitales ces derniers mois. Prada se place en 5e position des marques Luxe et 16e position du classement général.

    réseaux sociaux, classement, social media 2016, Amazon, Louis Vuitton, Prada, Tiffany, Chanel, Burberry
     
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