The Indian luxury market is expected to cross that amount during this year.

According to a research report by Euromonitor, India merely contributes 1-2% to the global luxury trade. However, despite this insignificant percentage, the market is growing at a compounded annual growth rate (CAGR) of about 25%. Indian luxury market is expected to cross $18.3 billion by 2016 from the current $14.7 billion.

As per a study by Assocham , in 2015, luxury jewellery, electronics, SUV cars and fine dining have grown immensely. Apparel, accessories, wines and spirits are growing as strongly as in the past. Consumption of branded wine is also likely to register a over 30% increase in the metro cities.

Indian brands are starting to be well-known, with Gitanjali Group (jewellery retailers), Titan Company (5^th largest manufacturer of wrist watch in the world) and PC Jeweller Limited (jewellery retailers) now accessing the top 50 luxury brands worldwide.

Finally, it is to be noted that cosmetics and beauty products markets are highly lucrative in India, since women’s purchasing power is greater.

READ THE FULL ARTICLE : [Luxury Society]

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K-pop idols (Korean celebrities) appear to have an effect on the Chinese cosmetics market. As a matter of fact, a research from L2 entitled “The Beauty China: The Rise of Korean Brands” highlights the huge impact that South Korean beauty products have on this market in China – which is 126% higher than last year – and the fact that these products are now ¼ of those imported to China, mostly online.

This skyrocketing trend can be explained by the significant impact of Korean celebrities and K-pop culture on China’s TV. This is illustrated on Kering as being a “bridge between the Chinese and western cultures” and especially on western hobbies, promoted through Korean series.

Source : Luxury Daily - China Daily - Kering

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April 7, 2016 from Jing Daily

A new ad campaign by luxury cosmetics brand SK-II addresses a social issue in China that doesn’t usually receive much attention in the country’s commercial scene: the plight of sheng nu, or “leftover women.”

If one wasn’t aware of how twenty-something single women are traditionally viewed by their parents’ generation in China, the start of the four-minute-long video ad strikingly makes it clear. It begins by juxtaposing a montage of photographs of young girls with audio phrases from their parents, such as, “I won’t die in peace unless you are married,” “Don’t be so free willed,” and “You’re too picky.”

Chinese women are put under an incredible amount of social pressure to get married, so much so that businesses pop up around Chinese New Year that give single women (and men) the opportunity to rent a boyfriend or girlfriend to fool and appease their family over the holidays. The term sheng nu is a derogatory one used for those who haven’t found a husband by their mid to late twenties.

For the women featured in the film, this term brings on feelings of guilt. “Not getting married is a sign of disrespect,” says one woman before tearfully apologizing to the camera for disappointing her family.

Then, in an emotional turn of events, the women head to the Marriage Market in Shanghai, where parents normally go to browse the “resumes” of potential suitors for their daughters. This time, however, the women would be the ones delivering a message to their parents.

The parents find beautiful photos of the women at the market, each paired with statements of confidence like, “I don’t want to get married just for the sake of marriage. I won’t live happily that way.”

This touching film, produced by Swedish ad agency Forsman & Bodenfors, is the latest installment of SK-II’s global #changedestiny campaign, which encourages women to “change their DNA” to take control of their future. SK-II’s website has additional short films that show women having courage to change their DNA, including one starring Chinese actress Tang Wei and another featuring Chief Strategy Officer for Ebay Greater China Vvivi Hu.

In the case of the sheng nu campaign, the confident subjects behind #changedestiny speaks volumes to affluent Chinese women. A 2014 report by Grant Thornton International showed that about 63 percent of Chinese businesses have female CFOs, and women are going to great lengths to have their own eggs frozen so that they can put things like having children—and marriage—second to their successful careers.

So far, the “Marriage Market Takeover” Youtube video has more than 250,000 hits after two days of being released, and its WeChat post is quickly catching up with more than 100,000 pageviews and a growing number of comments of encouragement from supportive fans.

Credits:

Brand Director: Kylene Campos
Art Direction: Sophia Lindholm and Karina Ullensvang
Director: Floyd Russ
Digital Producer: Peter Gaudiano
Film Editor: Cut + Run
Production: Tool of North America
Producer: Alexander Blidner

[READ THE FULL ARTICLE IN JING DAILY]

FROM L2 / THE DAILY THURSDAY / MARCH,31, 2016

Innisfree is one of the most popular Korean beauty brands in China, as evidenced by its high search volume on Baidu, Taobao, and Youku. (Innisfree was the top Beauty brand according to both the Taobao and Baidu Indexes.) L2 research finds the success of Innisfree to be a result of robust digital properties on the brand site, mobile, in-store and on social media.

Innisfree maintains a sophisticated brand site designed for consumers to spend time on; a gamified cross-channel loyalty program, user-generated content syndicated from multiple social platforms, and video libraries are among the features offered. Furthermore, the brand site ensures product research and purchases are seamless with grid pages that include quick-view and product pages featuring reviews and recently-viewed products. The brand’s site is also mobile optimized with swipeable carousels and mobile-specific offers.

Social media also plays an important role in Innisfree’s success. Consumers can create a customer profile by logging in with their Weibo, QQ, or Alipay accounts. These accounts allow Innisfree to create an omnichannel loyalty program that tracks online and offline purchases. Users can also gain points by engaging on social media or checking into a brand site.

Innisfree’s Spring 2015 social campaign “Summer Love”, featuring Korean influencers Lee Minho and Yoona, became one of the most successful campaigns among Korea Beauty peers. The campaign promoted the Innisfree Summer Foundation Cushion with five videos on Youku with the storyline of a young couple. The two most viewed videos from the campaigned averaged 181,000 views, more than four times the brand’s average video view count. The Youku campaign was supported by desktop and mobile advertising, as well as WeChat and Sina Weibo promotions. The most successful WeChat post was viewed 10,600 times while the campaign’s Sina Weibo post remains the brand’s most engaging post with 2,000 interactions. But much of the success is evident in the sheer number of users who spread the word; the campaign hashtag #innisfree received 17.7 million impressions and 36,000 mentions on Weibo. Yet, Innisfree expanded the campaign beyond just promotions, and connected the buzz to shopping. The popular couple remains featured on the Innisfree Tmall site to promote products and maintain brand buzz.

[READ THE ARTICLE ONLINE]

 April 7, 20, Jing Daily

“I won’t die in peace unless you are married,” says one parent in new SK-II ad about “leftover women” in China

A new ad campaign by luxury cosmetics brand SK-II addresses a social issue in China that doesn’t usually receive much attention in the country’s commercial scene: the plight of sheng nu, or “leftover women.”

If one wasn’t aware of how twenty-something single women are traditionally viewed by their parents’ generation in China, the start of the four-minute-long video ad strikingly makes it clear. It begins by juxtaposing a montage of photographs of young girls with audio phrases from their parents, such as, “I won’t die in peace unless you are married,” “Don’t be so free willed,” and “You’re too picky.”

Chinese women are put under an incredible amount of social pressure to get married, so much so that businesses pop up around Chinese New Year that give single women (and men) the opportunity to rent a boyfriend or girlfriend to fool and appease their family over the holidays. The term sheng nu is a derogatory one used for those who haven’t found a husband by their mid to late twenties.

For the women featured in the film, this term brings on feelings of guilt. “Not getting married is a sign of disrespect,” says one woman before tearfully apologizing to the camera for disappointing her family.

Then, in an emotional turn of events, the women head to the Marriage Market in Shanghai, where parents normally go to browse the “resumes” of potential suitors for their daughters. This time, however, the women would be the ones delivering a message to their parents.

The parents find beautiful photos of the women at the market, each paired with statements of confidence like, “I don’t want to get married just for the sake of marriage. I won’t live happily that way.”

This touching film, produced by Swedish ad agency Forsman & Bodenfors, is the latest installment of SK-II’s global #changedestiny campaign, which encourages women to “change their DNA” to take control of their future. SK-II’s website has additional short films that show women having courage to change their DNA, including one starring Chinese actress Tang Wei and another featuring Chief Strategy Officer for Ebay Greater China Vvivi Hu.

In the case of the sheng nu campaign, the confident subjects behind #changedestiny speaks volumes to affluent Chinese women. A 2014 report by Grant Thornton International showed that about 63 percent of Chinese businesses have female CFOs, and women are going to great lengths to have their own eggs frozen so that they can put things like having children—and marriage—second to their successful careers.

So far, the “Marriage Market Takeover” Youtube video has more than 250,000 hits after two days of being released, and its WeChat post is quickly catching up with more than 100,000 pageviews and a growing number of comments of encouragement from supportive fans.

Credits:

Brand Director: Kylene Campos
Art Direction: Sophia Lindholm and Karina Ullensvang
Director: Floyd Russ
Digital Producer: Peter Gaudiano
Film Editor: Cut + Run
Production: Tool of North America
Producer: Alexander Blidner

From Premium beauty news,  extract of the Research on Trends lead by Les Persiennes Consulting, by Nilufar Khalessi

After 35 years of isolation, Iran is making a comeback on the international stage. This little-known country, which already represents 29% of the beauty market in the Middle East, is often described as the ‘new eldorado’ for cosmetics brands. Nilufar Khalessi, the French-Persian Founder of trends and consulting agency Les Persiennes Consulting, has taken a look at this country for a first qualitative, forward-looking deciphering. She gave Premium Beauty News an overview of the study The New Faces Of Iran - Fashion, Beauty & Paradoxes, to be presented next May.

With a population of 80 million inhabitants, including 55% under 30, Iran is a growth-driving, dynamic market. The fact that international sanctions have been lifted and that the economic situation should therefore improve have made it even more attractive. But this country is not without its own paradoxes.

For a thorough understanding of unknown Persia’s trends and lifestyles, the study The New Faces Of Iran - Fashion, Beauty & Paradoxes first describes the historical, geographical, cultural, and social pillars that define the Persian civilization. As a tremendous cultural and historical cradle, the country that became an Islamic Republic after the 1979 Revolution, mainly defines itself according to its ancient origins. “It is a Muslim country, but people consider themselves Persians and Iranians above all. It is essential to understand this subtlety,” Nilufar Khalessi explains.

Despite an embargo that lasted for decades, the major cities of Iran have been experiencing much progress, driven by the dynamics of a 2.0, highly-connected, Western-oriented young generation. However, the choices made by these young people show they will not let foreign countries dictate their consumption habits, as they actually prefer national goods. “Young Iranians deliberately have not completely assimilated the Western culture, although they do know and master its codes, since they have integrated them. And we would make a mistake if we tried to force them into a mould,” Nilufar Khalessi adds.

Iranian women, a status apart
As they are extremely educated – so is most of the population in large cities - Iranian women enjoy an important part in society. They are very present in institutions and play a crucial role, whether in the family or society. “The status of women is different from what can be observed in many Arab countries. Even the way they wear their veils is more lax, as it does not completely frame their faces and allows for much femininity to be seen,” Nilufar Khalessi explains.

The study used portraits of women from Isfahan, Tehran, and Shiraz to shape the contours of a generation that has been playing with the paradox between their public lives, as they comply with the established Islamic laws, and their private lives, subverting these laws for more freedom, whether in terms of beauty or fashion. Women are deeply committed to this young generation’s active and creative development, in all artistic fields.

The face at the core of femininity
“Iranian women hardly go out without makeup on, because the relationship with aesthetics is strongly developed,” Nilufar Khalessi affirms. Therefore, it is essential for them to beautify their eyes, eyebrows, lips, and hair. “In the city, the veil does not completely frame women’s faces. It is a real distinguishing feature: half the hair is uncovered, so women work a lot on it, often dying it blonde, and they are not keen on naturalness”. Facial care focuses on “zero defect” choices to fight against pollution-related problems, acne, or oily skins. In addition, the study highlights the very strong relationship with plastic surgery, in particular rhinoplasty.

“They choose L’Oréal, Dior, Lancôme, and many other well-established brands for their daily consumption, although they also buy other products by interesting local brands to be studied,” Nilufar Khalessi concludes.

[READ THE FULL ARTICLE]